Bad screen comedy is dead. Formula screen comedy is dead. Unfunny, forced screen comedy is dead.I'm trying not to blame Judd Apatow for all this.
Most of these movies follow a definite pattern – load ‘em up with (seemingly) bankable comedy stars, throw in a lot of mayhem, have some unearned touching moment near the end, and hope that just by counter-programming the blockbusters and horror films you can reap a profit.
The trouble is – the public’s not buying it. Not anymore. Too many nights of sitting through idiotic frenzied shenanigans, rehashed TV franchises, ponderous films that are a half-hour too long, and silly stories that no one can relate to has taken its toll on filmgoers plopping down good money at the Cineplex.
And as for these “stars?” We’ve seen the Will Ferrell act. Again and again and again. Amy Schumer? Can play only one thing and we’ve seen it. I love Amy Poehler but she’s yet to open a movie, and until she does she’s not a movie star. And the Rock alone (BAYWATCH) is not enough.
These media experts wonder if the future of movie comedies the is Netflix? No. The future of comedy is making better comedies that are genuinely funny and have subject matter people want to see. Not raunchfests.
Thursday, July 13, 2017
The State of Comedy
Ken Levine (writer for MASH, Cheers, Frasier, many others AND A WINGS CHAMPION!!) has a great point re: why comedies are tanking in theaters:
at 2:46 PM