And now you can read how Chuck Jones, the King of animation, drew him:
Jones drew up a model sheet that described how the mongoose should enter the frame. “When Rikki enters the scene, let him fill an imaginary Rikki until his nose reaches the proper point,” he wrote. “[T]hen the rest expands and the last movement is when his whiskers pop out and vibrate.” He also noted how the mongoose should leave: “When Rikki leaves the scene, follow the angle of his pose. Hold tail until head is well out—the snap tail along path and out.”
According to Kenner, Jones described this method in 1977 as akin to a number of cars stopped at a light: “When the light changes, the 15 cars won’t move off en bloc,” Kenner writers. “No, car 1 must move ahead several feet before car 2 can even start moving, likewise car 3, car 4 … so the string lengthens as it gets into motion.” (He also used this analogy to describe how Wile E. Coyote fell.) This take on the character's movement made it one of the most fondly remembered things about the film.
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