Almost a decade ago, I posted about how
light pollution in the big city sucks:
That's one thing I miss about down home, how fucking dark it
gets without all the artificial lighting like we have here in NYC. The
kind of dark where it's possible to have no idea someone is standing
five feet in front of you. Seeing taillights across the river slowly
move along a bridge a few miles away. Such darkness has always been
comforting to me, and I think I get depressed sometimes being in the big
city where there's never absolute darkness - that omnipresent pink hue
of light drives me fucking bananas. It's like that awful feeling as a
kid of going to bed when it's still light outside.
And years later the folks over at Vox noted some steps
were being taken in the right direction:
The best known example to date is in Los Angeles, which is
replacing its old bulbous streetlamps that scattered light in every
direction with newer, more efficient LEDs that only send light downward.
As Ucilia Wang recently illustrated in Forbes,
the reduction in glare has been dramatic, and the skies overhead are
now noticeably darker. (That said, cities interested in reducing light
pollution need to be careful about color selection. Many LEDs largely
emit blue light, which brightens the night sky more than any other
color.)
Aaaaaaaaand now we find out Elon Musk
may be fucking it all up again:
In astronomy, the greatest resource of all is a dark, clear night
sky: humanity's window to the Universe. Traditionally, its enemies have
been turbulent air, cloud cover, and artificial light pollution. But
very recently, a new type of pollutant has begun to pose an existential
threat to astronomy itself: mega-constellations of satellites. If Elon
Musk's Starlink project continues as it has begun, it will likely end
ground-based astronomy as we know it.
If these satellites were either faint, few in number, or slowly
moving, this would be only a mild problem. If you're only observing a
narrow region of the sky, you'd simply reject any exposure frames (or
even just the pixels from them) where the offending objects streak
across the sky. But with large numbers of bright, rapidly moving
satellites, particularly if you're searching for changes from
frame-to-frame (like many current and future observatories are designed
to do), you have to throw out any exposure frame with these artifacts in
them.
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